TS 1.24 - Osvaldo Pugliese 1961-62 Completo
Tags: Osvaldo PuglieseCategory: Collection
Samples
By 1961, Stentor had ceased operations, and Pugliese began recording for Philips. Between 1958 and 1961, Philips rapidly signed Di Sarli, Rivero, and Salgán, establishing itself as the third major tango label of the post–Golden Age period, alongside Victor and Odeon. After Di Sarli’s early death, Pugliese effectively became Philips’ central tango voice.
Upon joining Philips, the OT re-recorded Malambaeo and Nonino. These tunes reveal clear sonic improvements and reflect Philips’ approach: distant microphone placement and a strong emphasis on overall balance. This differs markedly from the long-standing Victor and Odeon aesthetic traditions of close-miking soloists, and reflects the tendency of the early hi-fi recording era.
The orquesta's lineup remained relatively stable during this period. With the addition of cellist Enrique Lannoo in 1962, the string section gained a richer sound.
Maciel remained consistently strong and his voice retains power and precision. Meanwhile, Alfredo Belusi’s collaboration with Pugliese reached full maturity, with works such as Corrientes Bajo Cero and Bronca marked his historical importance. Their duo milongas are equally striking and memorable.
Instrumentally, Pugliese’s music during this period shows an ongoing momentum. Compared with contemporaries whose styles had largely stabilized, Pugliese continued to explore new expressive territory, as heard in Festejando, Cardo y Malvón, Nostálgico, and Bordoneo y 900. These works demonstrate notable innovation while maintaining the structural discipline developed in the 1950s.
With the release of TS 1.24, these recordings are finally presented in exceptional sound quality, offering dancers, DJs, and listeners alike the opportunity to rediscover an essential chapter of Pugliese.
The historical significance of this period of Pugliese recordings is often underestimated. First, they mark the definitive end of the orchestra’s turbulent 1959–60 period and the completion of its transition into a new Philips-era aesthetic, which is the beginning of Pugliese’s “lonely years.” Second, they also signify the end of Pugliese’s monophonic era.
Un Tropezón (1961) and Inspiración (1962) already exist in stereo versions (we do not know whether other recordings from the same period were recorded in stereo). For consistency, TS 1.24 exclusively uses the mono versions of these two tracks. It is important to note that the sources here are original mono pressings, not simple fold-downs from stereo sources. The sonic difference between the two is substantial.
Although these recordings belong to the so-called hi-fi era, the equipment and techniques of the time were still far from perfect. The most obvious example is Maciel’s climactic vocal peaks, which frequently caused microphone overload. At times, this even produces a distinctive artistic effect (e.g. Senda Del Amor). In this restoration, no special corrective processing was applied to these moments in order to preserve the original character.
After careful restoration, the instrumental recordings reveal a soundstage and sense of projection far superior to the Philips CD editions, with greater depth, clarity, and impact.
Overall, TS 1.24 elevates the sound quality of these classic recordings to an unprecedented level through meticulous restoration. We believe that their artistic value, too, will finally receive the attention it deserves from the wider tango community.
Not to be missed.
Frank Jin
| Date | Track | Genre | Singer | Label | Pitch | Length |
|---|---|---|---|---|---|---|
| 1961-06 | Malambaeo | Tango | Instrumental | Philips | 442 | 04:07 |
| 1961-06 | Corrientes Bajo Cero | Tango | Alfredo Belusi | Philips | 442 | 02:54 |
| 1961-07 | Nonino | Tango | Instrumental | Philips | 442 | 03:26 |
| 1961-07 | Milonga Del Soldado | Milonga | Maciel y Belusi | Philips | 442 | 03:03 |
| 1961-08 | Don Agustín Bardi | Tango | Instrumental | Philips | 442 | 03:39 |
| 1961-08 | La Vi Llegar | Tango | Jorge Maciel | Philips | 442 | 03:00 |
| 1961-09 | Bronca | Tango | Alfredo Belusi | Philips | 442 | 03:14 |
| 1961-09 | Coplas | Tango | Maciel y Belusi | Philips | 442 | 03:25 |
| 1961-10 | Pregonera | Tango | Maciel y Belusi | Philips | 442 | 03:05 |
| 1961-10 | Senda Del Amor | Tango | Jorge Maciel | Philips | 442 | 03:19 |
| 1961-11 | Dos Amores | Tango | Jorge Maciel | Philips | 442 | 02:57 |
| 1961-11 | Un Tropezón | Tango | Alfredo Belusi | Philips | 442 | 02:42 |
| 1961-12 | Candombe Blanco | Milonga | Maciel y Belusi | Philips | 442 | 02:20 |
| 1961-12 | Festejando | Tango | Instrumental | Philips | 442 | 03:00 |
| 1962-04 | No Me Pregunten Por Qué | Tango | Alfredo Belusi | Philips | 442 | 03:00 |
| 1962-04 | Cabulero | Tango | Instrumental | Philips | 442 | 03:10 |
| 1962-05 | Llevame Carretero | Tango | Jorge Maciel | Philips | 442 | 03:08 |
| 1962-05 | El Vino Triste | Tango | Alfredo Belusi | Philips | 442 | 03:04 |
| 1962-06 | Cardo Y Malvón | Tango | Instrumental | Philips | 442 | 03:39 |
| 1962-06 | El Pescante | Tango | Alfredo Belusi | Philips | 442 | 02:52 |
| 1962-07 | Nostálgico | Tango | Instrumental | Philips | 442 | 03:48 |
| 1962-07 | Por Qué La Quise Tanto | Tango | Jorge Maciel | Philips | 442 | 03:04 |
| 1962-08 | Desencuentro | Tango | Alfredo Belusi | Philips | 442 | 03:04 |
| 1962-08 | Bordoneo Y 900 | Milonga | Instrumental | Philips | 442 | 03:04 |
| 1962-09 | De Mi Ciudad | Tango | Jorge Maciel | Philips | 442 | 03:04 |
| 1962-12 | Inspiración | Tango | Instrumental | Philips | 442 | 03:19 |